She’s trying to protect her kingdom against this evil dictator. In this movie, she’s more ambitious and she looks outside herself. “In the original movie, as great as it is that she’s fighting for the choice of who she wants to marry, that’s where her ambition kind of stops. “It doesn’t feel like we’re shoehorning something in,” she said. Scott sees the character’s evolution as a natural progression. This is a Jasmine for the era of female presidential candidates and the #MeToo movement, reflecting broader societal shifts in gender norms and expectations over the past 27 years.

Whereas the original film’s Jasmine was mainly concerned with choosing a spouse, Scott’s version dreams of breaking with archaic patriarchal traditions and ruling her kingdom of Agrabah. In fact, Scott’s new take on Jasmine stands apart from the original version in ways that go beyond simply the storytelling medium. It’s more a case of being able to create this human version of her. “You have to have a healthy respect for what came before, but I still see those things as separate. “Jasmine was my favorite, so I can’t really reconcile those two things,” Scott said. Now the actress and singer finds herself bringing three-dimensional life to a character she once pretended to be as a child, images of whom countless girls have had plastered on their walls and bedsheets. The 26-year-old Scott wasn’t even born when 1992’s “Aladdin” hit theaters, one of a string of hits that fueled Disney’s ’90s animated renaissance.

“At the end of the day, that’s what girls will gravitate towards: that person, that human.” “I just gravitated toward the characters as opposed to the princess side of it,” Scott said on a recent afternoon in a Beverly Hills hotel suite, wrapped in a white bathrobe at the end of a long day of interviews to promote Disney’s new live-action remake of “Aladdin,” in which she plays Jasmine. Scott’s next role is also fueled by powerful female energy when she teams up with Elizabeth Banks, Kristen Stewart and Ella Balinska as the new “Charlie’s Angels”.Growing up in England, Naomi Scott, like so many other young girls, fell in love at an early age with Disney’s animated heroines - particularly Mulan, Pocahontas and Jasmine from “Aladdin.” But while those three are officially part of Disney’s juggernaut princess line of media franchises and toys, alongside the likes of Cinderella, Sleeping Beauty, Belle and Ariel, it wasn’t their ostensible princess-y trappings that enthralled Scott. “We wanted that to translate on screen – the fact that we actually love each other.” And Jasmine needed a female energy and someone she clearly was close to and had that kind of relationship with,” she said. “ brought so much more to the character than anyone could’ve ever imagined. After the actresses collided while doing interviews on the carpet, Scott gushed about her new partner in crime. I will be heard.’”Īnother difference from the 1992 version is that Jasmine is not the lone woman in this story, with “Saturday Night Live” alum Nasim Pedrad portraying a new supporting character named Dalia, the princess’ handmaiden. It’s a statement, saying ‘I feel like I’m being drowned and I will not be drowned. She’s a three-dimensional flesh and blood young woman who wants to be heard and respected,” Menken explained. “She is a Disney princess, but she’s more than that. I think that raised the bar for the entire movie,” Menken said, noting that the new song was just one of the ways the reboot hopes to change the perception of a Disney princess.

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